KPFA-FM Music Dept. ➔ Morning Concert: The Music of Ben Johnston, 2 of 2

Analog Audio


Event Type
Interview and Music
Origin
KPFA
Identifier
MC.1981.12.11.B
Program Series
Morning Concert
Program Length
126 min
Part
2 of 2
Dates
1981-12-11 | broadcast
| 1981-12-11 | created
Description
American composer Benjamin Burwell Johnston was born March 15, 1926 in Macon, GA. Living briefly in Berkeley, CA, in 1950, he was associated with Harry Partch and studied at the University of California and Mills College. From 1951 to 1983 he taught at the University of Illinois at Urbana-Champaign. In this program, recorded in 1981, Johnston is interviewed by Charles Amirkhanian about his career, compositions, and influences. A composer fundamentally partial to microtones, Johnston discusses his discovery of just intonation, initiated by his contact with composer Partch. Heard during this program is a selection of Johnston’s microtonal music, including his string quartet built around the theme of “Amazing Grace” and his “Suite for Microtonal Music”, as well as his “Knocking Piece” in which two performers rap upon the interior and exterior of a grand piano. (from KPFA Folio)
Genres
20th century classical
Microtonal music
Musical Selections
Visions and Spels [a realization of the indeterminate composition “Vigil,” text by Jerome Rothenberg] (1976) (27:14) / Ben Johnston -- Suite for Microtonal Piano: Alarm ; Blues ; Etude ; Song ; Toccata (1978) (17:24) / Ben Johnston -- Knocking Piece, for piano interior (1962) (6:53) / Ben Johnston
Performers
New Verbal Workshop (Visions)
Norma Marder, voice (Visions)
Joan Korb, voice (Visions)
Fred Simon, voice (Visions)
Theo Ann Brown, voice (Visions)
Ben Johnston, voice (Visions)
Herbert Marder, voice, conductor (Visions)
John Rinehart, piano (Suite)
Allen Otte, percussion on piano (Knocking)
Michael Udow, percussion on piano (Knocking)
Subjects
20th century classical
Microtonal music
Vocal sextets with percussion
Improvisation (Music)
Suites (Piano)
Percussion ensembles
Acknowledgment
Funding for the preservation of this program made possible through a grant by the GRAMMY Foundation.