KPFA-FM Music Dept. ➔ Morning Concert: An Interview with Janet Sherbourne and Mark Lockett, 2 of 2

Analog Audio


Event Type
Interview and Music
Origin
KPFA
Identifier
MC.1984.03.01.B
Program Series
Morning Concert
Program Length
136 min
Part
2 of 2
Dates
1984-03-01 | broadcast
| 1984-03-01 | created
Description
From a program recorded on March 1, 1984, Charles Amirkhanian interviews English composer/musicians, vocalist Janet Sherbourne and pianist Mark Lockett. The two were in the San Francisco Bay Area for a concert of contemporary English music ranging from experimental, truly minimal, consonant music, by such composers as Howard Skempton, as well as a selection of more New Wave pop music. The three are joined by Paul Dresher, curator of the concert series featuring Sherbourne and Lockett for a general discussion about the contemporary classical music scene in England and what it was like to work with such luminaries as Skempton, Cornelius Cardew, and Brian Eno. The discussion is highlighted by numerous examples of the types of music including a number of tracks by Sherbourne’s and Lockett’s 1980’s style pop band, The Copy.
Genres
New music
Minimalism
Musical Selections
Nineteen to the Dozen (4:05) / Mark Lockett -- The Hills Are Alive (4:00) / Mark Lockett & Schaun Tozer -- Luna, for voice and gamelan [text by Graham Reynolds] (1982) (1:52) / Michael Parsons -- Albanian Summer [excerpt] (1980) (2:05) / Dave Smith -- All Day [text by James Joyce] (7:02) / Jan Steele -- Love is Sex (2:36) / Mark Rosen -- What I Dread [excerpt] (4:39) / Jan Steele
Performers
Janet Sherbourne, piano, voice, gamelan (Nineteen ; Luna ; Albanian ; All)
Mark Lockett, piano (Nineteen ; Hills)
Schaun Tozer, piano (Hills)
Jan Steele, gamelan ; saxophone (Luna ; Albanian)
Adrian Lee, gamelan (Luna)
Dave Smith, gamelan (Luna)
Fred Frith, guitar (All)
Stuart Jones, solo guitar (All)
Steve Beresford, bass guitar (All)
Phil Buckle, percussion (All)
Kevin Edwards, vibraphones (All)
The Copy: (Love ; What)
Subjects
New music
Minimal music
Piano music (4 hands)
Piano music (Pianos (2))
Songs (High voice) with gamelan
Saxophone music
Vocal music
Songs (High voice) with instrumental ensemble
Acknowledgment
Funding for the preservation of this program made possible through a grant by the GRAMMY Foundation.