Seth Josel, Daniel Bernard Roumain, Michael Nyman, and Phil Niblock seated onstage with Charles Amirkhanian for a panel discussion during the 11th Other Minds Festival, San Francisco, CA (2005)

Other Minds Festivals ➔ Other Minds Festival: OM 11, Panel Discussion 1

Digital Audio


Event Type
Lectures and Panel Discussions
Origin
Other Minds
Identifier
OMF.2005.02.24.01
Program Series
Other Minds Festival
Program Length
40 min
Dates
| broadcast
| 2005-02-24 | created
Description
Prior to the start of the first concert of OM 11, held on February 24, 2006, Charles Amirkhanian moderated this panel discussion with the featured composers and some of the performers of that night’s musical offerings. Phill Niblock describes his interest in composing works with long sustained tones and how they are typically accompanied by films of his own making. Michael Nyman, who has composed numerous movie soundtracks, talks about how often music can not be tied down to a certain time or geographical location. For example, in the movie “The Piano” his decidedly 20th century compositions were based on traditional Scottish melodies and were used to accompany images of a life in 19th century New Zealand, while other works by him have been used as film scores for cinema vérité films shot in Moscow and Manhattan during the 1920s. Daniel Bernard Roumain then livens things up with his discussion of how he has sought inspiration for his music from his heroes, many of which are established Civil Rights leaders. He also relates how his childhood desire to be cool led to his distinctive blending of classical violin music with elements of hip-hop and rock music. The discussion concludes with guitarist Seth Josel providing a description and demonstration of the “e-bow” that was to be utilized in that evening’s performance of Niblock’s work “Sethwork.”
Genres
20th century classical
Avant-garde
Subjects
20th century classical
Avant-garde (Music)
Motion picture music
African American heroes
African American women